9.27.2013

Artist Narrative

            I come from warmth and welcome. I come from long dinners around a table heavy with food, where conversation carries on for hours. I come from holidays spent with family, rejoicing in being together. I come from living in near community, from the confidence of having the support of close kin to fall against. I come from the security of never having to act a part to please those around me. I come from watching those who know well the art of comfort and hospitality.
            I come from saying goodbye, again. I come from fingers forming the sign, thumb, index and pinky out, waving: I love you. I come from picking up and starting fresh. I come from building family around me; piecing together community. I come from learning there is always room for another. I come from opening my heart once more.
            I come from always building, crafting, making. I come from days taken off from studies to make art. I come from play-dough and oven baked clay figures. I come from working with my sister to make anything we did not have. I come from watching my mother draw and hoping I would someday be as good. I come from imagined worlds and stories so vivid that they seemed tangible.  I come from a lifetime of creativity.
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            I come from always building, crafting, making. My foundation, my beginning is here, though I cannot point to a time or real defining moment. I have never been one to experience things in flashes; my growth usually takes a form more like a sunrise, with a steady and gentle turning from black to grey to light.  All I can see is a consistent thread of creativity running through my life. I remember drawing, always drawing, coloring or painting. I drew because my mother drew. I wanted to do it as well as she did someday. I remember playing “dress up” with my sister, decorating ourselves, spending time crafting the perfect outfit to fit our imaginary games. I remember hours spent in the woods, scavenging materials to build a fort. We helped ourselves to a roll of our Dad’s twine to bind the sticks together into something somewhat structurally sound. These are my memories of those things that have brought me to this place.
            I come from saying goodbye. There is a changing, a growing that happens when you wave goodbye to all you have known. A young girl, excited for the new, I only half felt the sorrow of leaving them behind. My family gathers at every farewell. Those that are left wave until the last sight, hands raised, forming the sign I love you. I look back now at that leaving and feel what I did not know to feel then, when I said goodbye to a security and simplicity that would never be the same. It is a new place now and I have said goodbye once more. I drove away from my family, that place of refuge, once again not fully aware of how much a part of me I was leaving behind. But in this new place I see family too. Pieced together into a whole, they are all around. It is a new home that I have made.
            I come from warmth and welcome. It was my grandma and mother that taught me what these meant. I have watched the ritual, the art of creating a place of welcome. An open house, clean and still, rests after the flurry of preparation. It is peace that greets all who enter, like the hostess herself, arms open to her guests. The table waits, offering an invitation to sit, to partake in a meal, to linger, together as long as possible. This is the welcome I have known. I can see traces of it in the work that I make as an artist. My ceramic work is simple, not cluttered with busyness, but a place for the eye to rest. I take time with even the small details so that the experience of each pot in its entirety is a positive one. I want my work to be approachable, not appearing too delicate or rough to come near, touch, or use, but simple and sincere. I want my work to draw people in to look again, to look closer, to try to know it. Gather at the table, this is my offering, the work that I make. Stay awhile and rest.



           

            

9.14.2013

Bliss

Sculpture is hard. Throwing is bliss. But they are both oh so good.

This was my epiphany last week. My hands screamed with pain at their abuse as I walked home to fall into bed at 3 am each night. Cuts marred their surface and my palms were roughened from the work I was doing. Physically battered, stiff and exhausted I came to know sculpture as hard.

That moment when you realize that you have moved beyond theory-yes it is difficult-to a real and actual knowing in your head, your heart and your entire aching body.

From beginning to end-the planning, the construction, the problem solving, presentation, rejection and acceptance-it is all hard. But maybe, I don't know, maybe this is what makes it worth doing. Maybe it is the loss of sleep, the blood and sweat that gives it its value. In the laborious working out of an idea, the object takes on meaning and worth and becomes sculpture. Maybe I'm wrong, but maybe this is truth.

The hard is good, but everyone needs bliss. Exhausted and battered, what is that one thing that you can go to for rest-where you can know it is going to be OK? It is good to place my weary hands on something that moves to mold to the form they intend. It is good to leave the loud, rough sounds of construction behind and find the peace of a wheel gently whirring. Sweet bliss. My soul whispers to my tired body. And all is good.